Is there a technique or method that enables JAV to get their women to relentlessly throat fuck with insane breath control? Like how, this is a question I’ve been wondering since I saw Aya Shiomi in her DFE film where she was non stop face fucked for two hours and I’m confused no other region on earth has their pornstars like this . Is there a spray, some special training school? I need a woman like this or to train her to that level
Rough/Constant Irrumatio Tribute (and sharing) Thread
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To further add to comment above how the freak JAV girls can expertly throat for hours, I am so happy to have found this forum as I didn’t have any other place for the last two years to speak about deepthroat in the JAV industry. Spent the entire day reading through all 58 pages, thanks for all the comments, feedback, suggestions etc. what led me here is actually just googling “ anav 007 forum” because as a fan of Ai Kiyama I could not believe she again, did a big relentless blowbang. My other favourites are Aya shiomi, who’s even got big fake lips to make the blowjob experience better for the men. Sengoku Mohara, Yuri adachi, Ayaka Mochizuki who’s sadly retired and left all her socials. In fact Ayaka may be the number one Jav girl for her ability to get fucked in all three holes, being uniquely slim thick for an Asian, for having great natural boobs, and above all her freak personality.
dfe-101 is one of my favorites, especially the second scene, her eye contact is so sexy, and the way her tongue got so purple is crazy, she was suffocating hard here
Many japanese girls that work with blacks do not like them at all. Japanese do not like blacks. It is a taboo theme linked to shame or to denigration like scat or vomit. She probably just is repulsed by blacks. It is very common in asian countries and especially japan
Yeah I suppose that’s the case, but she was open enough to 1) work with two black guys and 2) let them use all her holes, so you’d expect she doesn’t mind? But it doesn’t make sense that she didn’t let them freely fuck her
I don't think I'm quite ready for these serious allegations of racism.
The pic below is an example of the typical trope. A respectable married faithful Japanese woman desperately running as she is hunted down by a bunch of black men.
Perhaps there was a miscommunication and Ai was suppose to act demure, and the black man didn't get the memo that he's supposed to put his hand behind her skull and physically help her mitigate her shyness, which is par for the course with these tropes.
I would imagine these JAV tropes depicting black men this way is a powder keg of explosive political fall out just waiting to happen.
Japanese culture totally understands it's just a fetish, but I'm sure there's plenty of people who would take this the wrong way.
Question to ChatGPT:
Why do JAV stars have the best deep throat ability in the whole world? Is it cultural? Are females oppressed somewhat, which contributes to this phenomenon?
Answer:
The perception that Japanese adult video (JAV) actresses exhibit exceptional deep-throat ability is shaped more by cultural production values, industry norms, and performance expectations than by some innate or national trait. Let's unpack the layers:
1.
JAV stars train specifically to perform what the industry demands. Just like in Hollywood or K-pop, the adult industry in Japan cultivates specific aesthetics and skills—deep-throat scenes are one such fetish category that became highly popular.
- Practice & Technique: Many JAV actresses practice regularly and are coached to suppress the gag reflex, control breath, and “perform submission” convincingly.
- Cinematography & Editing: JAV productions often use angles, sound design, and timing to dramatize the act, enhancing the illusion of extremity.
2.
Japan has a long history of erotic art (e.g., shunga) and a uniquely coded sexual media environment.
- Submissive archetypes: Japanese adult films often portray submissive or “obedient” roles for women. This dovetails with the deep-throat act, which is often used to portray surrender, dedication, or service in porn narratives.
- Soft-spoken obedience ≠ oppression: While some observers interpret this as a sign of female oppression, it’s more accurate to say the performance of submission is eroticized—especially for male audiences.
3.
Some women choose JAV work for financial reasons, artistic agency, or career opportunity—while others are pressured by economic precarity or exploitative contracts.
- Not always oppression: To say all female JAV stars are “oppressed” is overly reductive. Many are active participants, set boundaries, and choose their roles. However, Japan’s adult industry has been criticized for poor legal protections and exploitative recruitment.
- Power dynamic paradox: The illusion of oppression is often what is eroticized—ironic, considering that many performers are in control of the scene’s execution.
4.
- Global distribution: JAV is one of the most pirated and exported porn genres.
- Category dominance: JAV carved out a niche in fetish categories (e.g., bukkake, deep-throat, cosplay, domination) that aren’t as common or emphasized in Western porn.
- Fan devotion: Japanese pornstars often cultivate strong fan bases, leading to more intense performances and viewer feedback loops that reward extreme skills.
- Pornographic culture: Japan’s regulatory censorship (e.g., pixelated genitalia) forces more creative emphasis on performance quality and fetish nuance.
Summary
JAV actresses are often perceived as "the best" at deep throat not because of cultural oppression, but because of a unique blend of:
- rigorous training,
- industry norms that reward skill and devotion,
- fetishized cinematography of submission,
- and a cultural export model that highlights those traits.
It’s less about innate ability, more about the performative ethos of Japanese erotica. The real conversation worth having is how much of that is art, capitalism, fantasy—or exploitation—and where those lines blur.
In other words, the Japanese work ethic has made us JAV Junkies/ degenerates the luckiest people who ever lived in human history. If you had a time machine and gave your ancestors a brief preview of your life, and sent them back to their time, their lives would literally be ruined.
Imagine trying to explain to your rice-farming great-great-grandfather—whose idea of “erotic material” was a woodblock print smuggled under tatami mats—that you, his proud descendant, have access to 4K pixelated throat acrobatics on demand, 24/7, with surround sound and a recommended playlist.
And it’s not just any adult content—it’s performance-engineered, culturally refined, stamina-defying craftsmanship, courtesy of a civilization that once channeled the samurai code into perfecting the art of honorable service... on both ends.
Yes—you live in the most erotically privileged era of human history.
No hunting, no bartering goats for a glimpse of ankle.
Just tap, swipe, and bow respectfully to the algorithm.
And yes—if your ancestors saw what we call “casual Wednesday afternoon content,” they’d return to the 1800s spiritually shattered, their sense of reality peeled apart like Pocky sticks in an orgy scene.
They’d never look at a bamboo flute the same way again.
This isn’t just about titillation—this is a reflection of:
So yes—through the sheer willpower of the Japanese work ethic and the degenerative blessings of high-speed Wi-Fi... we became the luckiest, horniest apes ever to ruin Eden.
Your ancestors walked 10 miles barefoot for clean water.
You’re mad your favorite actress retired without doing one more “teacher-student” scene.
Imagine trying to explain to your rice-farming great-great-grandfather—whose idea of “erotic material” was a woodblock print smuggled under tatami mats—that you, his proud descendant, have access to 4K pixelated throat acrobatics on demand, 24/7, with surround sound and a recommended playlist.
And it’s not just any adult content—it’s performance-engineered, culturally refined, stamina-defying craftsmanship, courtesy of a civilization that once channeled the samurai code into perfecting the art of honorable service... on both ends.
The Cold Truth:
Yes—you live in the most erotically privileged era of human history.
No hunting, no bartering goats for a glimpse of ankle.
Just tap, swipe, and bow respectfully to the algorithm.
And yes—if your ancestors saw what we call “casual Wednesday afternoon content,” they’d return to the 1800s spiritually shattered, their sense of reality peeled apart like Pocky sticks in an orgy scene.
They’d never look at a bamboo flute the same way again.
But Let’s Be Real:
This isn’t just about titillation—this is a reflection of:
- Hyper-specialized labor (JAV stars as athletes of oral control),
- Global fetish economy (where niche becomes artform),
- Human adaptability to excess (dopamine on tap),
- And the irony that infinite pleasure somehow leaves us still scrolling...
So yes—through the sheer willpower of the Japanese work ethic and the degenerative blessings of high-speed Wi-Fi... we became the luckiest, horniest apes ever to ruin Eden.
Your ancestors walked 10 miles barefoot for clean water.
You’re mad your favorite actress retired without doing one more “teacher-student” scene.
I agree of course. But also if we gave one our ancestors a cookies n cream milkshake they would also faint and have their life ruined we are very lucky
Yes, they are compensated well for these types of taboo or "shame" type scenes! At the end of the day it is a job for these girls. Sometimes they are expected to do things that they dont like.
If you know anyone asian or Japanese; ask them their opinion on blacks and ask them the cultural interpretation/perception of blacks. In general they are not well thought of. Of course there are outliers and also exceptions to the rule.
For example: black and celebrity is a combination that mitigates the perception culturally i.e. Rampage Jackson, Michael Jordan, some black footballers... who have spent time in Japan. To some acclaim. Although, there would be places, venues, etc that these celebrities would be forbidden from going. Because they are black. Certain Japanese clubs, restaurants, golf clubs, onsen, resorts, hotels... flat out refuse to serve blacks and they are forbidden. This rule applies in a lesser way even to foreigners who are not Japanese. But for blacks it is much more restrictive. This is indicative of the perception of blacks in JAV also.
Yes, she is more willing than the girls who refused but on a spectrum of willingness; i would say most Japanese girls do not like to do it and are the ones that do, do it for the money or career opportunities with certain studios, or even worse - are forced contractually or by darker (no pun intended) means to do it. Which is unfortunately something that happens in porn in the west and in Japan.
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great facefuck rough blowbang from Hana Kano here, only a 10m video but wonder if anyone knows the full code ? https://spankbang.com/7ejzx/video/crazy+bitch+deepthroat+blowjob
I think what makes this code search difficult is the fact that MISM-296 contains the actress, and the bathtub submerge description. But the spotlight isn’t on Hana Kano, it’s on Ayaka Mochizuki.
Perhaps the release date might offer a clue? MISM-296 was released December 2023.
Perhaps Hana’s was also released around that time?
Also, was Hana’s version a mainstream title you would likely find catalogued in JAVLIBRARY? Or is it some obscure title not listed on mainstream websites?
I think I’ve wasted quite enough time searching for this code LOL.
First post didnt go through, but the film is ysn 209, from 2010
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How come ? Why would a studio do that?Did they delist MISM-396? I really was looking forward to watch it
Please clarify. She backed out (no pun intended) because it was too much for her? The film wasn't complete, and she backed out for whatever reason?
Hinano Miki in KIRM-056 scene 1. had a nice throat bulging, fucked by two big actors, they managed ejaculate twice each.
Although she is chubby and I love skinny actresses, she did very good, and a very good performer.
I personaly prefer 1on1 scenes
Like MUKC-024 scene1, scene2.
Go hard, go rough, none-stop
All the switching between actors is pretty annoying it causes alot of uncessary camera moves and 'angle-fix'
Tsubasa Hanai, MISM-394, MISM-399
good throat bulge, and actress is skinnier than Hinano Miki.
MISM-399 scene1 is good, had great throat penetration, although the scene is not 'rough' to take the actress to the limit.
It solid, chilling throatfuck.
Necklace/Choker around her neck adding to the erotic.
I did not watched other scenes that had 3+ more actors, nor 'creepy old dude'.
Most of old-aged actors has very tiny penis, they cannot performe deepthroat, it just wasting film-time.
The jav need to find old-man with big cock that also able to thrust and move his muscles.
Both actresses, not vomit, which is good, I personaly hate undigested food pukes
And prefer clean thick saliva ('ezuki juice')
Umino Ikura, another chubby actress, FSBK-008
Good scene1, nice throat bulge, there is position she sits on floor (not lay), her throat arch back and get throat bulge deep with hard thrust, really erotic, her throat make good sounds.
Ejaculating out of her throat is bad in this scene.
Piyo-211 scene3, scene4, not released yet, but finally skinny actresses, youth, small breasts, thin necks, doing deepthroat.
According to the clip - no throat bulging, which is disappointing.
Also no deep throat ejaculation.
I hope more youth at minimum jav age requirements, with skinny, petite body will do more hardcore deepthroat.
Actors:
Yusuke Nishijima, sometimes lazy, but still best actor, he know how to arch the neck back straighten it and go deep.
Samejima Kensuke, don't like him at all.
Pierre Ken, should not performe 'deepthroat', he does not have big cock for it.
Other actor nameless, played on KIRM-056 scene 1, with Yusuke, good actor, big cock.
But, should work on go deeper and faster, and not stopping every 8 secs.
Other actor nameless, KRW-868 scene3,
Good actor, uncredited.
Although she is chubby and I love skinny actresses, she did very good, and a very good performer.
I personaly prefer 1on1 scenes
Like MUKC-024 scene1, scene2.
Go hard, go rough, none-stop
All the switching between actors is pretty annoying it causes alot of uncessary camera moves and 'angle-fix'
Tsubasa Hanai, MISM-394, MISM-399
good throat bulge, and actress is skinnier than Hinano Miki.
MISM-399 scene1 is good, had great throat penetration, although the scene is not 'rough' to take the actress to the limit.
It solid, chilling throatfuck.
Necklace/Choker around her neck adding to the erotic.
I did not watched other scenes that had 3+ more actors, nor 'creepy old dude'.
Most of old-aged actors has very tiny penis, they cannot performe deepthroat, it just wasting film-time.
The jav need to find old-man with big cock that also able to thrust and move his muscles.
Both actresses, not vomit, which is good, I personaly hate undigested food pukes
And prefer clean thick saliva ('ezuki juice')
Umino Ikura, another chubby actress, FSBK-008
Good scene1, nice throat bulge, there is position she sits on floor (not lay), her throat arch back and get throat bulge deep with hard thrust, really erotic, her throat make good sounds.
Ejaculating out of her throat is bad in this scene.
Piyo-211 scene3, scene4, not released yet, but finally skinny actresses, youth, small breasts, thin necks, doing deepthroat.
According to the clip - no throat bulging, which is disappointing.
Also no deep throat ejaculation.
I hope more youth at minimum jav age requirements, with skinny, petite body will do more hardcore deepthroat.
Actors:
Yusuke Nishijima, sometimes lazy, but still best actor, he know how to arch the neck back straighten it and go deep.
Samejima Kensuke, don't like him at all.
Pierre Ken, should not performe 'deepthroat', he does not have big cock for it.
Other actor nameless, played on KIRM-056 scene 1, with Yusuke, good actor, big cock.
But, should work on go deeper and faster, and not stopping every 8 secs.
Other actor nameless, KRW-868 scene3,
Good actor, uncredited.
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I always skip the intro scene with the bald old man Pierre ken. Like you say, he’s too small and it doesn’t show true deepthroat
