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Hello,
Groper_love; I see you are calling out for a helping hand, given that you have been repeating your question to no avail, as of yet. I also see Member
Sanepretty did not give a hoot about all of the time I spent trying to help him out, but my involved response gave enough clues to get to the bottom of your question.
As I wrote,
"DANDY-274 has performed the huge favor of providing the covers of the movie scenes included."
You mentioned that
"Elaina Raye's scene in DANDY-274 (was)... the very last one"; fortunately, I provided some great screen shots for DANDY-274 (above, and
here), and here is a frame grab of the last scene:
Fortunately as well, I also provided a detailed look at DANDY-274's cover (above, and
here), and... boy, how lucky could we get? Ordinarily, you would have needed to track down the identities of each of the twelve covers from the DANDY-274 cover, and then go through the hassle of digging up the screen shots of each, to try and match the scene with Elaina Raye. But you didn't have to do that; the very first cover actually features the very scene:
Now all you've got to do is figure out which DANDY that cover belongs to. But here is where we run into trouble, and I find myself stumped. I took my own advice from above and went to the
Sougouwiki listing of DANDY covers
001-200, and skimmed through all of them. (Based on the covers that can be identified, it appears they are in sequential order, so since our cover is the first one, it must be from a very early DANDY.) But I didn't catch it.
In case the covers did not appear sequentially (I wrote above that the twelfth cover was DANDY-256, and we know the one we are looking for needs to be numbered below DANDY-274), I skimmed through the listing for
201-361, but it wasn't there either.
So what do we make of this? It's possible I missed our cover, but if I did not, the only other explanation I could think of was that the DANDY company puts out other lines, and maybe the one we are looking for belongs elsewhere in the DANDY line-up. Looking at the company's
output over at DMM, I see DANDY has put out a few movies featuring other prefixes in their DVD codes, such as OPEN and DISM, but the covers that feature the big "DANDY" name (as with the one we are looking for) only appears to be under the DANDY label.
This is a mystery; I also did not spot a few of the other twelve covers featured on DANDY-274 in the DANDY output; a JAV Jedi Master is called for, here.
EDIT: Speak of the devil..! I referred to a JAV Jedi Master, and on cue,
3nuts showed up (post below). Thank you, 3nuts, your analysis was brilliant. It's incredible that the translated description actually provides an explanation for what we want to uncover, specifying eleven scenes rather than twelve and partly reading
"New only be seen in this work that ... or withstand a small gesture demonic blonde Russian girl over data to seduce man of serious further Japanese tutor."
The first part is very important, the mention that (as it sounds) the scene with the blonde seducing the tutor is "New," and "only (to) be seen in this work." Probably the abrupt editing was their choice for the original (we have encountered this annoying practice in JAV before), and not a sign of a re-edit of the original.
If they made up a fake cover to highlight this original scene, the one thing that still eludes me is that DANDY-274's cover displays other possibly fake covers. As I speculated, the covers look like they have been put up sequentially; working backwards, Cover 12 is DANDY-256, Cover 4 is DANDY-047, Cover 3 is DANDY-042... but Cover 2 is another one I could not spot, from the listing of DANDYs. (Working forward now, Cover 6 is DANDY-090, but there is no Cover 5, featuring a blonde wearing eyeglasses. Stopped checking, but I'd bet there are more.)
EDIT AGAIN: Before closing the book on the Dandy-panky, and getting curious about their modus operandi, thought I'd check their earliest compilation (a
list), DANDY-051; real covers (a total of fifteen) neatly and sequentially presented, from 001 to 017. Their fakery is not always a matter of course.
.
