The Clone Returns Home (2009) DVDRip AC3 x264-LooKMaNe
Movie: The Clone Returns to the Homeland / The Clone Returns Home
Japanese: クローンは故郷をめざす
Director: Kanji Nakajima
Writer: Kanji Nakajima
Cinemotagrapher: Hideho Urata
Release Date: January 10, 2009
Runtime: 110 min.
Language: Japanese
Country: Japan
Cast:
Mitsuhiro Oikawa... Kohei Takahara
Eri Ishida ... Yoko Takahara
Hiromi Nagasaku ... Tokie Takahara
Kyûsaku Shimada ... Dr. Kageyama
Ryô Tsukamoto ... Young Kohei
Shô Tsukamoto ... Young Noboru
Ken'ichi Yajima ... Sasagawa
Kôzô Satô ... Towada
Takahiro Hirano ... Yagihashi
Plot:
The Clone Returns Home is a compelling meditation on the paradox of life and death, and the meaning of love and family. Set in an imaginary - yet utterly imaginable - future, this quietly provocative film skillfully transposes complex emotional drama into the realm of science fiction by exploring the influence of technology on human memory and experience. Filled with stunning imagery and haunting stillness, The Clone Returns Home deftly combines subtly nuanced sci-fi with a uniquely Japanese perspective on the universal themes of family, life, love, and death.
In the tradition of Solaris and other deeply philosophical science-fiction works, The Clone Returns Home is art cinema at its best. Kohei, a young astronaut, agrees to participate in an experimental cloning program that will “regenerate” his body and memory should he die. So when he’s killed during a space mission, scientists are able to regenerate his clone. But problems occur with its memory, which regresses to Kohei’s youth and the accidental death of his twin brother. Distressed, the clone flees the lab in search of his childhood home. Along the way, he finds his own lifeless body in a space suit. Mistaking it for his brother, he continues his journey carrying the body on his back.Set somewhere between the near future and a dream, as if a figurative mist drifts through it, Kanji Nakajima’s first feature is distinguished by the metaphysical space it conjures. With each new incarnation of Kohei—his clone, his body, his soul, his twin—our literal sense of story gives way to a metaphysical one. With exceptional artistry (lyrical images, elegant moving masters, and evocative sound motifs), Nakajima explores identity, memory, and the ethical responsibilities of science. But, enriched by spiritual conceptions of life and death and the soul, the film’s emotional center and its poetry lie in these successive versions of Kohei, wandering in search of a home that no longer exists.
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